ATEM Mini Extreme is an advanced switcher for true professionals! You get all the ATEM Mini Pro features plus 8 HDMI inputs, 2 separate HDMI outputs, 2 USB ports and a headphone connection. There are also 4 chroma keyers, 6 picture-in picture DVEs, 2 media players, and a multiview with up to 16 views!
The built in “media pool” allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM Mini can also grab stills from the video output and add them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player.
For news or on-set presentation work, ATEM Mini is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM Mini Extreme includes a massive 4 ATEM Advanced Chroma Keyers, that’s a keyer per camera for fixed camera virtual set production!
For a more broadcast-style workflow, you can remote control your cameras from ATEM Mini! Blackmagic Pocket Cinema Camera 4K and 6K models can work as studio cameras with control sent via the HDMI connection to ATEM Mini. That means you can control the camera settings as well as the camera’s color corrector from ATEM Software Control. Imagine changing ISO and tint, plus lens iris, focus and zoom, so camera operators can focus on the shot! There are two types of control interface, CCU layout for traditional tint color control and a DaVinci color corrector interface allowing the camera’s built in DaVinci color corrector to add incredible digital film “looks” to your live production!